Developing the Trumpet Section

Jazz Handbook

By Dr. Stephen Hawk, Professor of Trumpet & Director of the Slippery Rock University Jazz Ensemble I

Basics to a Successful Section

Ability to work as a team

bullet

Ego-loss vs. Confidence

bullet

Learning to listen from the heart

bullet

Personal vs. Group

Individual Duties

bullet

Lead Player
bullet

Ability to communicate freely and honestly with your section

bullet

Relationship with sax, trombone, and rhythm sections

bullet

Disbursement of power

bullet

Quality of
bullet

Sound

bullet

Phrasing/time/feel

bullet

Consistency (of both interpretation and performance)

bullet

Flexibility

bullet

Taste

bullet

Support  Players
bullet

Responsibility towards the music

bullet

Respect for:
bullet

Lead player

bullet

Other section players

bullet

Director/Band Leader

bullet

Self

bullet

Patience

bullet

Complete understanding of the lead players "role"

bullet

Second chair generally plays most of the solos and blows "up" to the lead

bullet

Third chair is the glue of the section (pitch, chord, balance, etc...) Assistant lead player!

bullet

Fourth chair has potential to make the lead player sound much stronger (Must be aware of the lead players pitch tendencies.) Also is a solo player