Helpful Information for North Allegheny High School Flutes

 

High School and University Audition Repertoire

 

Methods and Studies

 

Standard Study Materials

 

Lower to Intermediate Level

 

Cavally, Original Melodious and Progressive Studies

Berbiguier, 18 Studies

Soussmann, Progressive Studies, Op. 53 (in volume 2 of method)

Koehler, Exercises, Op. 33, Book I

Pares, Technical Exercises for Flute

 

Intermediate to Advanced Level

 

Cavally, Melodiuos and Progressive Studies

Anderson, 24 Studies, Op. 33 or 24 Studies

Koehler, Exercises, Op. 33, Book II

Karg-Elert, 30 Studies, Op. 107

Maquarre, Daily Exercises

Moyse, De la sonorite

Moyse, Art et technique

Moyse, 24 Melodious Studies

 

Advanced Level

 

Anderson, 24 Studies, Op. 21 (his opus 30, 63, and 15 are also used)

Boehm, 24 Caprices

Barrere, Flutist’s Formula

Moyse, Tone Development through Interpretation, Vol. I-III

Soussmann, 24 Grand Studies (volume 3 of method)

Paul Jean-Jean, Etudes modernes

 

Standard Methods

 

Altes, Henry, Method for the Boehm Flute, (there are two editions Leduc and Fischer)

Berbiguier, Flute Method, 2 Volumes (Salabert, French Text)

Soussmann, H., revised by W. Popp, Complete Method for Flute, Vol. I-III, Fischer

Taffanel and Gaubert, Methode Complete de Flute, (Alphonse Leduc, French Text only)

Wagner, Foundation to Flute Playing, Fischer

 

 

Additional Study Materials

 

There are numerous other study materials that are very highly recommended. Consult with your private flute teacher or band director concerning additional study materials.

 

Solos

 

Levels 3-4

 

Abel/Riley, arr., Sonata No. 3, Southern-Texas

Albinoni, Sonata in A Minor, Associated

Andersen, Scherzino, Belwin-Mills

Arnell, Andante and Allegro, G. Schirmer

Arnold, Sonatina, Belwin-Mills

Bach, Sonata in A Minor (unacc.), Schott

Bach, Sonatas in C Major or G Major, Ricordi

Barber, Canzone, G. Schimer

Barthe, Petite Suite Pittoresque, Southern-Texas

Beethoven, Serenade, Op. 41, Peters or Boosey & Hawkes

Ben-Haim, Three Songs Without Words, Leeds

Bizet, Entr’acte Act II, Editions Musicus

Bloch, Suite Modale, Broude

Bournonville, Danse pour Katia, Southern-Texas

Bozza, Aria, Leduc

Brun, Romance, Rubank

Busoni, Divertimento, Op. 52, Associated

Busser, Les Ecureuils, Leduc

Busser, Les Ecureuils, Leduc

Caplet, Reverie and Petite Valse, Southern-Texas

Cavally, arr., Twenty Four Short Concert Pieces, Southern-Texas

Corelli, Sonata in F Major, Editions Musicus

Cowell, Two-Bits, C. Fischer

Debussy, En Bateau, Elkan-Vogel

Debussy, First or Second Arabesques, Elkan-Vogel

Debussy, Le Petit Berger, Elkan-Vogel

Debussy, Le Petit Negre, Elkan-Vogel

Debussy, Syrinx (unacc.), Elkan-Vogel

Dello Joio, The Developing Flutist, Marks

Dohnanyi, Aria, Op. 48, No. 1, Associated

Dukas, Alla Gitana. Leduc

Dukas, La Plainte, au Loin du Faune, Elkan-Vogel

Faure/arr. Cavally, Sicilienne, Southern

Ferguson, Three Sketches, Boosey & Hawkes

Fils, Concerto in D Major, Associated

Finger, Sonatas in D Minor or G Major, Boosey & Hawkes

Frederick the Great, Sonatas, Vols. 1 & 2, Associated

Gaubert, Romance, Leduc

Gillis, Three Short Pieces, Belwin-Mills

Gliere, Waltz, Op.35, No. 2, Leeds

Gluck, Concerto in G Major, G. Schirmer

Gluck, Minuet and Dance of the Blessed Spirits, Rubank

Goldman, Two Monochromes (unacc.), Shawnee

Graupner, Two Sonatas, Bärenreiter

Gretry, Concerto in C, Southern

Handel, Ten Sonatas, Southern, International, Bärenreiter

Harsanyi, Trios Pieces, Ricordi

Haydn, Concerto in D Major, Southern, Associated

Henze, Sonatina, Schott

Hoiby, Pastoral Dances, G. Schirmer

Hue, Serenade, C. Fischer

Hummel, Sonata, Op. 50, Associated

Ibert, Aria, Leduc

Ibert, The Crystal Cage, Elkan-Vogel

Ibert, The Little White Donkey, Elkan-Vogel

Jacob, The Pied Piper (unacc.), Oxford

Jardanyi, Sonata, Boosey & Hawkes

Krebs, Sonata in C Major, Ricordi

Kubik, Nocturne, G. Schirmer

Kuhlau, Three Grand Solos, Op. 57, C. Fischer

Leclair, Sonata in C Major, Associated

Loeillet, Sonata No. 10 in F, Peters & International

Loeillet, Sonatas, Op. 3, Schott

Marcello, Sonata in F, Oxford

Massenet, Meditation, C. Fischer

Molique, Andante (Concerto), Southern

Mozart, Andante in C, K.V. 315, Associated

Mozart, Six Sonatas, Vols. 1 & 2, Associated

Nielson, The Children Are Playing (unacc.), Associated

Pergolesi, Concertos in G Major or D Major, C. Fischer, International

Pessard, Andalouse, Leduc

Phillips, Four Figures in Time, Elkan-Vogel

Platti, Sonatas in A Major or G Major, G. Schirmer

Purcell, Sonata in F, Oxford

Quantz, Concerto in D Major, No. 17, Associated

Quantz, Concerto in G, Peters, Southern

Quantz, Sonatas 1, 4, 5, 6, or 8, Associated

Ravel, Piéce en Forme de Habanera, Leduc

Roman, Sonata No. 12 in D Major, Sikorski

Roussel, Andante et Scherzo, Elkan-Vogel

Saint-Saenes, Romance, Elkan-Vogel

Stevens, Sonatina, Broude

Tartini, Concerto in G, Ricordi

Telemann, Four Sonatas, G. Schirmer

Telemann, Twelve Fantasies (unacc.), International, Bärenreiter, Southern

Tessarini, Sonata in F Major, Associated

Vanhal, Sonata, McGinnin & Marx

Veracini, Sonatas 1 & 2, Boosey & Hawkes

Victory, Pavane, Leduc

Vinci, Sonatas in D Major or G Major, Associated

Voxmann, arr., Concert and Contest Collection, Rubank

Widor, Suite, Elkan-Vogel

Willis, Recitative and Dance, Presser

Zachert, arr., Classical Album for Flute, G. Schirmer 

 

Levels 5-6

 

Albinoni, Concerto in G, Ricordi

Bach, C.P.E., Concertos in A Major, Bb Major, D Minor, International

Bach, J.S., Italian Concerto, Associated

Bach, J.S., Partita in C Minor, Sikorski, Peters

Bach, J.S., Partita (Sonata) in A Minor (unacc.), International, Bärenreiter, Southern, Peters

Bach, J.S., Six Sonatas, International, Boosey & Hawkes, Peters

Bach, J.S., Suite No. 2, Boosey & Hawkes

Bartók, Suite Paysanne Hongroise, Associated

Beethoven, Sonata, Peters, C. Fischer

Bennett, A Flute at Dusk (unacc.), Chappell

Berio, Sequenza (unacc.), Associated

Beversdorf, Sonata, Southern

Blavet, Concerto in A Minor, G. Schirmer

Blavet, Sonatas 2, 3, 5, or 6, Boosey & Hawkes

Bloch, Two Last Poems, Broude

Boccherini, Concerto in D, Southern, Associated, Boosey & Hawkes

Bozza, Agrestide, Leduc

Bozza, Image (unacc.), Leduc

Bozza, Soir Sur Les Montagnes, Leduc

Bozza, Three Impressions, Leduc

Brant, Colloquy, Spratt

Burton, Sonatina, C. Fischer

Busser, Prélude et Scherzo, Leduc

Chaminade, Concertino, Associated, Boosey & Hawkes, C. Fischer

Couperin, Concert Royal No. 4, International

Dahl, Variations on a Sweedish Folktune (unacc.), Presser

David, Sonata (1951) (unacc.), Associated

Dohnanyi, Passacaglia, Op. 48, No. 2 (unacc.), Broude

Doppler, Fantasie Pastoral Hongroise, G. Schirmer

Dubois, Concerto, Leduc

Dutilleux, Sonatine, Leduc

Enesco, Cantabile et Presto, Boosey & Hawkes

Faure, Fantasie, Belwin-Mills

Fflothuis, Sonatina da Camera, Peters

Francaix, Divertimento, Schott

Freundlich, Theme and Variations, Ricordi

Gallois/Montbrun, arr., Divertissement, Leduc

Ganne, Andante et Scherzo, Southern, C. Fischer

Gaubert, Sonatine, Heugel

Genzmer, Sonata, G. Schirmer

Griffes, Poem, G. Schirmer

Guarnieri, Sonatine, Presser

Guarnieri, Three Improvisations (unacc.), Rongwen

Hanson, Serenade, C. Fischer

Hartley, Four Sketches, Presser

Haydn, Sonata in G Major, Peters, International

Heiden, Sonata, Associated

Helm, Sonata, Schott

Hindemith, Eight Pieces for Flute Alone, Schott

Hindemith, Sonata, G. Schirmer

Hoffmeister, Concertos in G and D, Sikorski, International

Honegger, Danse de la Chévre (unac.), Editions Salabert, Ricordi

Hosmer, Rhapsody, McGinnis & Marx

Hue, Fantasie, Billaudot

Ibert, Concerto, Leduc

Ibert, Jeux, Leduc

Ibert, Piece for Flute Alone, Leduc

Jacob, Concerto, Belwin-Mills

Jacobi, Night Piece and Dance, Boosey & Hawkes

Jolivet, Chant de Linos, Leduc

Jolivet, Sonata, Heugel

Karg-Elert, Sonata-Appassionata, Southern

Kennan, Night Soliloquy, C. Fischer

Krenek, Flute Piece in 9 Phases, Rongwen

Krenek, Suite, Rongwen

Kuhlau, Fantasie D-dur (unacc.), Bärenreiter

Kuhlau, Six Divertissements, Op. 68 (unacc.), International

La Montaine, Sonata for Flute Alone, Broude

Locatelli, Sonata, Hug

Lora, Improvisation and Burlesque, Associated

Martin, Ballade, Presser

Martinu, First Sonata, Associated

Messiaen, Le Merle Noir, Leduc

Mihaude, Sonatine, Durand

Mouquet, Le Flute de Pan, Southern

Mozart, Concertos in G & D, International, G. Schirmer

Muczynski, Sonata, G. Schirmer

Nielsen, Concerto, Peters

Pijper, Sonata, Peters

Piston, Sonata, Boosey & Hawkes

Poulenc, Sonata, Chester

Prokofiev, Sonata, Op. 94, Leeds

Reinecke, Concerto in D Major, Op. 283, Boosey & Hawkes

Reinecke, Sonata (Undine), Op. 167, International

Rhene-Baton, Passacaille, Op. 36, Durand

Riegger, Suite, Op. 8 (unacc.), New Music

Ropartz, Sonatine, Durand

Schubert, Introduction, Theme, and Variations, Associated, International

Schott, Scotch Pastoral, Hansen

Searle, Divertimento, Schott

Seiber, Pastorale and Burlesque, Schott

Stamitz, Concerto in D Major, Sikorski

Stamitz, Concerto No. 3 in D, Breitkopf

Tansman, Sonatina, Salabert

Tartini, Concerto in G Major, Sikorski

Telemann, Concerto in D Major, Sikorski

Telemann, Suite in A Minor, Southern

Thomson, Concerto, Associated

Thomson, Sonata for Flute Alone, Elkan-Vogel

Tomasi, Concertino, Leduc

Tomasi, Concerto in F, Leduc

Tomasi, Sonatina, Leduc

Ulrich, 8 Miniatures, Editions Musicales Transatlantiques

Varese, Density 21.5 (unacc.), Ricordi

Vivaldi, Concerto in D Major, International

Vivaldi, Concerti in G Major, Ricordi

Wellesz, Suite, Op. 57 (unacc.), Rongwen

 

Studies for the Piccolo

 

Barone, Learning the Piccolo, Edu-Tainment

Endressen, Supplementary Studies for Flute or Piccolo, Rubank

Koehler, Method for Piccolo, Peters

Sieg, Piccolo Preparatory Studies, Fischer

Towarnicki, Study of Piccolo Technique, Belwin

Tulou, Popular Method for Piccolo, Ricordi, Schirmer

 

Special Studies for the Jazz Idiom

 

Aebersold, Jamey, A New Approach to Jazz Improvisation, Jamey Aebersold (In over 100    non-progressive volumes, the author recommends the following order of study:      Volume 24, Major and Minor, Volume 1, A New Approach to Jazz Improvisation,     Volume 21, Getting’ it Together, Volume 2, Nothin’ but Blues, and Volume 3,          The II/IV  7/I Progression

Baker, Jazz Improvisation, Chicago: Maher Publications

Davis, N., Flute Improvisation (A Guide to Jazz Solo Flute Playing), Edu-Tainment

Dentato, J., How to Play Jazz Flute, 2 vols., Hansen

Fanelli, Authentic Latin Flute Technique, Belwin-Mills

Giuffre, J., Jazz Phrasing and Interpretation, C Instruments book, Associated

LaPorta, J., A Guide to Improvisation, Berklee Press

Lateef, Jusef, Flute Book of the Blues: 36 Studies, Edu-Tainment

Lateef, Jusef, Flute Book of the Blues: 40 Studies, Edu-Tainment

Niehaus, L., Developing Jazz Concepts, Professional Drum Shop

Viola, J., The Technique of the Flute: Rhythm Studies, Berklee

Viola, J., The Technique of the Flute: Chord Studies, Berklee

Viola, J., Developing Sight Reading Skills in the Jazz Idiom, Berklee

Wunderlich, Arpeggios (Chords): A Thorough Foundation of Improvising, Fischer

 

Selecting a Step-Up Flute

 

Selecting any step-up instrument should be a personal and hands-on process.  The same instrument will feel and play differently for musicians.  Try a number of instruments out before you purchase one.  Often instrument makers will allow you to order instruments on consignment so that you can try them out before you buy.  I know a lot of musicians that actually go to the factory to try out and purchase their instruments.  Below is a guide to buying intermediate and professional model instruments, it is in no way a complete list and only a few recommendations to get you started.

 

Intermediate Flutes

 

Allora Flute

Emerson 6SB

Yamaha YFL321

 

Professional Flutes

Pearl Quantz 765 Series

Gemeinhardt Model 33SB

DeFord Model 88B

 

       

The Flute Family

 

            In addition to the C Flute and C Piccolo, the flute family also includes an alto flute, a bass flute, and a smaller Eb flute.  The fingerings for all of the instruments are the same except for some minor changes in the instrument’s third octave range.

 

Private Lessons and Practice Suggestions

 

What can my lesson be?

 

  1. A chance to share your enthusiasm for the instruments and for music, and an opportunity for that enthusiasm to grow.
  2. A chance to correct basic technical problems and to learn new an better ways to solve challenges that the instruments and music present.
  3. A chance to learn new repertoire and to learn about repertoire yet to be studied.
  4. A chance to be a part of a community of players on your instruments; to learn and grow with them.  Many other students studying your instruments will have the same problems to work on; maybe even the same solos and etudes.
  5. Ultimately, lessons give you the chance to increase your prospects for better music making at North Allegheny and beyond.  As your performing ability improves, so does your satisfaction with music making.

 

Practicing – Be regular in your routine; this will help you to measure progress and pinpoint problems.  You cannot “cram” for a lesson or performance; it does not work.  Put in the time each and everyday.  It shows when you get on stage.  There is no substitute for the confident attitude and technical accomplishments arrived at through hours of practice time.  Most stage fright and tension problems are a result of poor/irregular preparation.  Here is a basic list of practice goals:

 

a.       Determine your semester goals. Then determine your weekly goals.

b.      Decide what you must do today (today’s goals) to realize the weekly goal.  Be very specific.

c.       Warm-up.  This can and should consist of a wide variety of techniques and styles.  Feel free to vary you warm-up from day to day.

d.      Practice individual patterns or sections of the music that need the most attention.

e.       Take a brief rest.  Walk away from the instrument to get something to drink and to refresh your mind.  This should be brief so as to not lose your focus.

f.        Upon returning do a run through (or two) as if you were in a lesson, audition, recital, or professional performing situation.

g.       Review problem spots from the run-through.

h.       Review previous etudes or repertoire.

i.         Do some sight-reading.  The best way to learn to read is with another player.  This can be either duets or playing the same thing together.  Sight-reading alone is not nearly as beneficial.

j.        Decide on tomorrow’s goals.

k.      Now it’s all behind you; you’ve set very specific goals, worked hard to achieve them, and tested yourself with a run-through.  If you’ve done this and succeeded you have something to show for it and should feel a great sense of accomplishment.

l.         Think about the following quotes everyday:

o       Nothing happens but unless first a dream

o       Go for it!  Life is not a dress rehearsal

o       All gave some, but some give all.  Which am I?

 

Duets – Find another musician to play with.  You can also play solos and etudes together. This is one of the best ways to improve sight-reading, and it’s a good time.

 

Listening – Find recordings of professionals that play your instrument and other Instruments.  Go and hear as many live performances as you can!

 

Join Your Professional Association – Make an effort to purchase a membership to your applied professional association, The National Flute Association www.nfaonline.org.  They will often supply you with journals, performance dates, articles, and related materials to help you in the study of your instrument.

 

Buying Your Own Music – You should buy and own as much music for your instrument as you can afford.  Often in auditions, contests, or competitions copies are not permitted and can get you disqualified.